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05/01/07

The blue book

Affectionately known at the Stanford Linear Accelerator Center (SLAC) as simply “The Blue Book,” The Stanford Two-Mile Accelerator has been a classic on site since the day it was published in 1968.

05/01/07

A tale of dark energy

In the 1990s, astronomical observations revealed that the expansion of the universe is accelerating. Not knowing what causes this acceleration, scientists began to attribute the phenomenon to some unknown source of energy, coined "dark energy" by astrophysicist Michael Turner.

05/01/07

The search for dark energy

What is this stuff that fills the vacuum of space, accelerates the expansion of the universe, and accounts for 70 percent of everything? More than two dozen experiments aim to find out.

05/01/07

The great string debate

Inside, the auditorium at the National Museum of Natural History in Washington, DC, was packed and humming in anticipation. Outside, a man waved a sign at stragglers hurrying for the door: "Need One Ticket for String Theory Debate."

05/01/07

Peel and stick

Chip Edstrom routinely tidies the Fermilab Main Control Room to stay awake while working as an accelerator operator on the owl shift. One night, while cleaning equipment and peeling off decades-old labels, Edstrom decided to replace the old ones with fresh ones. In Russian.

05/01/07

When the new neighbor's a giant

Mike Herlihy is active in the village of North Aurora, near Fermi National Accelerator Laboratory and west of Chicago. He’s been a village trustee for six years, belongs to the Lions Club and served on an advisory committee to evaluate a proposed freeway.

05/01/07

Wait just a minute

Berkeley Lab physicist Hitoshi Murayama and SLAC physicist Herman Winick have provided audio segments for One-Minute How-To, a Web site that provides 60-second explanations ranging from "How to write a flawless email," to "How to organize a river clean-up," to "How to sto

05/01/07

Ken McMullen: Arrows of time

Ken McMullen says he does not feel comfortable with categories. That's why when, given a choice between defining himself as a painter or a film-maker, he prefers to be called an artist instead.