On October 19, 1991, at 6:50 p.m., Bjørn Wiik logged the first collisions in the new electron-proton particle collider at the Deutsches Elektronen-Synchrotron in Hamburg.
Laughter punctuates the excited conversations, a mix of German and English. Drinks are passed around and children dart among the legs of the hundred or so scientists gathered together for one last time. The sky’s blue is deepening: only 90 minutes until sunset.
An impromptu frog habitat vanished with final repairs to the roof of Fermilab's Meson Lab. Leaks—lots of leaks—have plagued the lab's 12 blue and orange concave arches since it opened 32 years ago.
On June 29, 2007, when Albrecht Wagner told an assembly of nearly 1800 people to go to lunch and return at 2 p.m. for a surprise, nobody could have expected what was coming.
As technology evolves, posters are getting easier to produce and pass around. But it still takes skill and imagination to illustrate the abstract ideas of physics.
To artist and engineer Amy Lee Segami, water is no ordinary substance—it is her canvas. Using her knowledge of fluid mechanics, Segami paints on water in a contemporary version of the ancient Asian art form of Suminagashi.